根据巴西著名作家罗萨的名作改编，魔幻现实主义风格。Based on Brasilian writer Guimaraes Rosa's famous novel, this surreal fantasy ostensibly tells the story of a child who works miracles, but it also subtly attacks the morality of Brazilian society. The story begins on a river as a man bids goodbye to his children. His wife has told him never to come back and so he paddles out into the current. His son Liojorge comes to the riverside every day to leave a small cache of food for his father. He follows a stray cow one day and discovers his wife to be. Upon their wedding, he takes his wife, Alva to the river and introduces her to his father, who is not seen. A year passes and the couple has a daughter. 5 years later they discover that she has the ability to work miracles large and small. When four gangsters spy Alva, one of them decides he must have her. To protect his wife, Liojorge moves the family to Brasilia. Even in the capital's slums, the child works miracles; she is nicknamed the Little Saint. The gangsters kidnap Alva and Liojorge does something extreme to get her back. The film ends on a mysterious note.

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该剧是一部充满现实主义色彩的电影，故事情节紧凑，通过石振邦和杨武这对落魄兄弟的奋斗历程，向观众展示了社会底层人物的坚韧和善良。潘斌龙在影片中的表现十分出色，他成功诠释了杨武这个角色。

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难得有观影活动在休息日，赶快报了名，带着纯放松的想法来看的。总体观感很不错，这个下午来得很值，不虚此行。剧情非常梦工厂，主角的成长路线大多能预测得到，虽谈不上创新，但绝对算不上俗套，穿插着的一个个小笑点，笑着笑着就看完了。不知道是不是因为花了大量工夫打磨画面，导致没在春节档出现，感觉是很符合过年合家欢的电影。不过在二月二龙抬头之后带来一部包含“龙”的主题的电影，也算“赶趟”。刚刚说画面，是因为场景制作真的精致，我试图捉了几次虫，但都碰壁，细节还是交给大伙欣赏吧。

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《周处除三害》拍得确实好，我只说动作和暴力的部分。比方影片一开始，陈桂林刺杀了黑老二后逃跑，与刑警陈灰的一番追逐，就相当出彩。不仅空间感上如鹰兔相搏，忽上忽下（俯拍这个视角该片用得很有心得），令人心跳加速，更是在近身对抗时把身体用到了极致，好比罗纳尔多带球马尔蒂尼放铲，观众哪怕端坐静观，也感觉自己整个人被甩了出去，肾上腺素瞬间满格。陈桂林追杀“香港仔”许伟强的场面，同样令人血脉贲张，而且有陈灰加入其中，三人两组，犬牙交错，你死我活，只在毫厘之间。尤其难得的是，虽然暴

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一直说云襄传审美非常在线，在十年武侠里应当占一席之地。细节处见真章。之前已经写过一篇详评赞叹云襄传的审美功底，但随着剧情开展，还是要忍不住抚掌。苏怀柔身后的窑变玉壶春瓶，器物精美，放在古代必然是名窑佳品，可能是官窑入商，非寻常人家可得。复刻的江南亭台楼阁，配色雕刻是最接近古画的，别人不论，笔者是大爱。我不入地狱谁入地狱，烈火熊熊的构图，公子襄心潮汹涌独坐留白的背影，还有白衣快马竹林，定风波的配词，都是无声处见细节。更遑论一招一式武打都是实拍，对比起动不动一百倍