To see El Sur is like slipping as a guest into one of Jorge Luis Borges' tales. If you like this argentinian writer you'll like this movie, because El Sur is Borges quoting Borges, his melancolic solitude, his metaphysics dressed as poetry and, most of all, his eternal questions about reality and illusion. What is the result? an instant out of life which dilutes into dreamdom, whilst present mixes itself up with past. The lead character here is Juan Dahlmann, an obscure argentinian librarian from european heritage -much like the same writer in the 40's- who has consecrated to keep, in spite of economic difficulties, an old property at the south of Buenos Aires province. His life passes by way of his work and his reading, he recites from memory `Martín Fierro' (the most famous work of the writer -also argentinian- José Hernández) and is dazzled by a rare edition of the Arabian Nights, both books did fascinate Borges, both books about voyages.And so Dahlmann travels, after an accident, to the `estancia' of his elders, in an initiatic tour which will bring him to face his identity and face the Pampa, where his past and his fate awaits him, to face Buenos Aires suburbs, a South that is filled with barbaric, fearsome and rough knifes who duel the cultish highbrowish North of the erudits, the capital of libraries and china cups. ¿Why else did I liked this movie? Because is true art house cinema, the speed of the narrative is at the same time slow and undefatigable as life itself, following strange turns instead of a straight line.Finally, I do have a very personal reason to my enjoyment during the 60 minutes I spent in front of the TV. It really got me, from the very beginning, the voice over with his cadentious and raw spanish with argentinian accent, loaded with melancoly, seamlessly caressing every word, embracing its millions of meanings, until you feel like, for an instant, everything makes perfect sense.

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挺让人动容的一部电影。这是一部关于爱的电影。在替补赛后，魏教练经月光提醒，开始发现仁爱之家每个球员身上的特质，并开始认真训练这支球队。魏教练无疑是爱这个大家庭的，他耐心的教给每个球员技术，陪着他们玩闹，带着他们一路过关斩将，为比赛筹集资金……有点反转的是他自己竟然也是个残疾人，也正是因为他的出身、性格和经历，他会用和‘正常’球队比赛的这种近乎严苛的方式对队员进行特训，他一度过分在意篮球比赛的输赢，这种得失心让这份爱显得没那么纯粹。如果说魏教练的爱像父爱，关怀中带着严厉，

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老爷子这次的动作不小，雄心也不小，上一次的《千与千寻》获得个满堂彩，让老爷子信心十足地筹划着下一步大作。老爷子向来痴迷魔法，正如大友克洋痴迷机械，这倒好，两个人分工明确，谁也抢不走谁的风头。也不知道是老爷子的每部作品被他深深地烙上了宫氏风格的印记，还是老爷子被一部部作品渐渐束缚了拳脚，如果你看过他的《再见萤火虫》，便能体会到二战末期的日本给老爷子留下了多么难忘的记忆，而这种记忆中的片断，可以再他的每部作品中找到影子，《天空之城》、《风之谷》、《幽灵公主》等，哪一部片子中没有轰炸、炮击、火焰以及残垣断壁这些大战的痕迹。在《哈》中，你可以看到类似的场景。老爷子心仪的美女一律是过耳的半长头发，心目中的帅哥形象也一定是直直的披肩发。《哈》中的男女主人公的在造型上没有离开这个宫氏传统，只不过男主人公更帅，据称是宫老爷子诸多作品中最帅的一个，为了让这位新帅哥凝聚更多的人气，老爷子弃用了一贯的职业声优，而是请来了偶像明星木村拓哉来为哈尔献声。不过，对我来说，听不懂是一方面，声音的效果上也并

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影片中，张万森和林北星之间的爱情纠葛引人深思。他们之间的感情并非一般意义上的爱情，而是成长过程中难以忘怀的回忆。电影通过细腻的表演和动人的音乐，将这个故事呈现得淋漓尽致，令人为之动容。

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该剧这个故事讲述了感情很好的缉毒队成员在一次失败行动后，因为意见不合而分道扬镳。随后，他们为了缉拿毒枭，展开了一场殊死搏斗。这部电影应该会充满紧张刺激的场面，让观众肾上腺素飙升。